Intro to Graphic Design

(High School)

Saladman Concept

arrangement of salad items — Starting assets

Saladman Concept

For the Saladman project, I took the starting photos, formed them into a humanoid shape, played with the hue and saturation, and ended up with Mr. Saladman, a corporate boss of a company that sells salad kits!

Heat Transfer Design

arrangement of Steven Universe characters — Front Design

Back Design

Heat Transfer Design

Back Design

Heat Transfer Design

Back Design

Heat Transfer Design

Back Design

I used assets from my at-the-time favorite animated show, Steven Universe, to make this design. I did a circle gradient underneath the characters, also adding a soft star behind them. With the back design, I just took a logo of the show and removed some extra text.

Heat Transfer Design (on a shirt)

arrangement of Steven Universe characters on frontside — Front Design

Back Design

Heat Transfer Design (on a shirt)

Back Design

Heat Transfer Design (on a shirt)

Back Design

Heat Transfer Design (on a shirt)

Back Design

Selective Color (entire image)

waves recolored to being red — 'Waves of Blood'

a landscape modified to being purple — 'Toxic Wasteland'

Selective Color (entire image)

For this form of selective color, I played around with the colors to create new interpretations of these images.

Selective Color (one section)

A gray modern door — A door (once brown but now gray).

A brighter 'The Green Building' — *The Green Building* (now much brighter).

Selective Color (one section)

For this form of selective color, I took one section of the image and played around with the colors to create new interpretations of these images.

Color/Saturation Alteration (and Advertisement)

Image of 1956 Chevrolet BelAir Convertible — A before image of a fully colored image of a *1956 Chevrolet BelAir Convertible*.

Image of 1956 Chevrolet BelAir Convertible (Black and White) — A *1956 Chevrolet BelAir Convertible* in color with a black/white background.

Chevrolet advertisement concept featuring 1956 Chevrolet BelAir Convertible — A custom advertisement of the *1956 Chevrolet BelAir Convertible* with 1940-1950's *Chevrolet* branding.

Color/Saturation Alteration (and Advertisement)

I took an image of a 1956 Chevrolet BelAir Convertible, selected all around the car with the magic wand and the lasso tool, copied and pasted it into a new layer, and the background was turned black and white. After that, for the advertisement, I put the 1940-1950's logo at the top left of the image.

Retouched Image

A damaged photo. — A damaged photo set to be retouched.

A damaged photo after being touched up — The retouched photo.

TA damaged photo after being touched up — The retouched photo.

I used the clone stamp to repair spots with scratches and tears. Then I used the crop tool to cut off the top, as that whole section was unrecoverable.

Layer Mask

I created a layer mask featuring the creator of Steven Universe, Rebecca Sugar, by using the layer mask tool, then, I took the layer mask and pasted it over a background from Steven Universe Future.

Layer Mask

Layer Blending Mode

With both images, I overlayed a texture with blending modes and used the eraser on the magma texture to make it only go over the doberman in image 2.

Layer Blending Mode

With both images, I overlayed a texture with blending modes and used the eraser on the magma texture to make it only go over the doberman in image 2.

Layer Blending Mode

With both images, I overlayed a texture with blending modes and used the eraser on the magma texture to make it only go over the doberman in image 2.

Layer Blending Mode

With both images, I overlayed a texture with blending modes and used the eraser on the magma texture to make it only go over the doberman in image 2.

Adjustment Layer

I overlayed a laser texture and played around with hue and saturation on top of an image of a concert to amplify the environment.

Adjustment Layer

I overlayed a laser texture and played around with hue and saturation on top of an image of a concert to amplify the environment.

Adjustment Layer

I overlayed a laser texture and played around with hue and saturation on top of an image of a concert to amplify the environment.

Adjustment Layer

I overlayed a laser texture and played around with hue and saturation on top of an image of a concert to amplify the environment.

Custom Text with Image

Text with an overlayed texture of blood.

I used a text font, overlayed an image on top of it and added a stroke to add more dimension to the text.

Custom Text with Image

I used a text font, overlayed an image on top of it and added a stroke to add more dimension to the text.

Custom Text with Image

I used a text font, overlayed an image on top of it and added a stroke to add more dimension to the text.

Custom Text with Image

I used a text font, overlayed an image on top of it and added a stroke to add more dimension to the text.

Fanmade Poster

For this project, I used texture images to give the animatronics more texture, a layer mask for the human in the image, layer blending mode for a majority of assets in this image, adjustment layers to alter some of the assets' hues, a clipping mask, text with an overlayed texture, and a variety of layer styles to amplify the text.

Intro to Art Software

(College)

Collage Images

Freddy Fazbear's Pizza collage — A collage of multiple images made into a conceptualized real life Freddy Fazbear's Pizza location (2023).

For this project, I used multiple images from various Chuck E. Cheese's locations and the Freddy Fazbear's Pizza Place sign from the Five Nights at Freddy's movie (2023), including extras like lightning strikes, a cop car, and so on. I used a variety of blending modes, adjusting hues & saturations, and so on to make this location look as real as possible.

Freddy Fazbear's Pizza collage (black and white) — A collage of multiple images made into a conceptualized real life Freddy Fazbear's Pizza location (2023) in black and white.

Here, I took the final product and applied a couple filters to make the image appear as old, plus making the image grayscale without drowning out any of the actual details.